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Aural Obscura

Aural Obscura

All over the world, there are unique and breathtaking sounds that you can only hear in one specific place. In this episode, we travel to two of the most astounding sonic wonders in the United States. The first is a hidden sound installation in Times Square that might be the most visited art exhibit on Earth. The second is an enormous organ built right into the rock of an ancient Virginian cave. These stories originally aired on the Atlas Obscura podcast.

Industrial Musicals

Industrial Musicals

For more than three decades, it was common for American companies to put on  “industrial musicals” for their employees. These elaborate productions could rival Broadway shows, and featured original songs about the company and its products. And while this music was never intended for the general public, once you hear it for yourself, you might just get hooked. This is a story about bathroom remodeling, corporate art, and one man’s obsession with a forgotten corner of pop culture. Featuring comedy writer and collector Steve Young.

Tournament Of Champions

Tournament Of Champions

For our fourth annual Mystery Sound Game Show, we pitted the winners from the past three years against each other. The result? Chaos and hilarity. So unclog your ears, put on your listening cap, and get ready to play along. Featuring Travis McElroy, John Lagomarsino and Emily Jankowski.

Tune Tech

Tune Tech

From electric guitars to samplers to drum machines and beyond, the music we love is only possible thanks to the technology that’s used to create it. In many ways, the history of popular music is really a history of technological innovation. In this episode, we partnered with BandLab to unpack four inventions that changed music forever. Featuring author and journalist Greg Milner.

Wilhelm Scream Remix

Wilhelm Scream Remix

For more than seventy years now, filmmakers have been using and reusing a particular scream. Without a doubt, this is Hollywood’s most famous sound effect. Many people even know it by name. But despite how widely-known this sound is, lots of people still don’t know its surprising origin story. To set the record straight, we’ve remixed one of our classic, early episodes. Featuring Steve Lee, sound designer, film historian, and creator of the Hollywood Sound Museum.

From Cylinders To Streaming

From Cylinders To Streaming

The history of recorded sound stretches back over a hundred and fifty years, starting with a device that could “record” a voice on a piece of paper. Today, we can enjoy lossless streaming anywhere we go… but getting here wasn’t easy. In this episode, we worked with Qobuz, the high quality music platform, to chart the history of audio mediums, from cylinders made of tin foil and wax, to vinyl, 8-track, cassette, CDs, and mp3s. Along the way, we explore the innovations and quirks of each format, with memories sent in from our listeners and the 20K team. Featuring Adam Tovell from the British Library Sound Archive.

Seventh-Inning Stretch

Seventh-Inning Stretch

Baseball fan or not, there’s one song that virtually every American knows… or at least, we think we do. “Take Me Out to the Ball Game” is one of the top three most recognizable songs in the country, next to “The Star Spangled Banner'' and “Happy Birthday.” But if you dig into the lyrics, you’ll find a forgotten message buried among the peanuts and Cracker Jack. This story comes from the Smithsonian’s Sidedoor podcast.

The Spatial Race

The Spatial Race

In the 1960s, stereo sound revolutionized the music industry. But it turns out, a pioneering engineer named Alan Blumlein had actually invented stereo a full three decades earlier. Due to tragic events in World War II, his innovations were forgotten for decades. In this episode, we worked with OnePlus to tell the story of how audio has evolved from mono, to stereo, to quadraphonic, to surround sound and beyond. Today, we even have immersive, three-dimensional systems that can simulate 128 speakers using just two. Featuring Alan Blumlein’s son Simon Blumlein, and music producer Robin Reumers from the Abbey Road Institute.