Amazing concerts, Broadway musicals, Cirque du Soliel performances, and other live shows live and die on their sound design. This is the story of how sound design for live performances went from zero to speakers in the seats and where the industry might go next. This episode features interviews with sound design legends Abe Jacobs and Jonathan Deans.
The way you speak has rhythm, timbre, and pitch. It’s more like music than you might think. We chat with The Allusionist host Helen Zaltzman, Martin Zaltz Austwick from Song by Song, Music Psychologist Dr. Ani Patel of Tufts University, and Drum Composer David Dockery on how musical our speech really is.
Brant Guichard has heard "The Music" for as long as he can remember. Brant has a particular type of epilepsy where he hears what are called "musical auras" whenever he has a seizure. Brian Foo, aka the Data Driven DJ, introduces a different musical element to Brant's experience of seizure.
Broadway’s award-winning, record-breaking, smash hit, Hamilton, is a musical unlike any other. Get the story from people in the room where it happens of how sound helps tell the musical’s story eight times a week. We talk to Nevin Steinberg, Hamilton’s Tony-nominated sound designer, Benny Reiner, Grammy-winning Hamilton percussionist, Anna-Lee Craig, Hamilton on Broadway A2, and Broadway sound design legend Abe Jacob.
When people in Hawaii were falsely alerted of a Ballistic Missile threat, the first thing they heard was the sound of an emergency alert. For decades, this tone has alerted us to local weather emergencies and other important events, but it has never been used for its original purpose. In this episode, we explore the history of the Emergency Alert System and its predecessors. Featuring Kelly Williams, from the National Association of Broadcasters, Frank Lucia former EAS advisor for the FCC, and Wade Witmer from FEMA.
“Elevator music” was once the sound of restaurants, offices, and elevators in mid-20th century America. But ironically these bland, string-driven instrumental tracks are never heard in elevators anymore. In this episode, we speak with Joseph Lanza, the author of “Elevator Music,” and Julian Treasure, chairman of The Sound Agency, about the sound of Muzak -- the company that changed the way we think public spaces should sound.
Ever wonder how the music on your favorite news stations is created? Dive in with news music appreciator + journalist Victor Vlam; Composer Matthew Kajcienski, Composer Irad Eshel, Composer Adarsh Thottetodi, Composer David Lowe, Musicologist James Deaville, Film and TV studies Professor Deborah Jaramillo to find out.
A mysterious Tweet from one of the most famous people on Earth: A single phone number, zero context. What does it mean? Why was it posted? Would you call it to find out? For commercial director Duncan Wolfe, this hypothetical became a very real social experiment when his cell phone number was accidentally posted on a very public Twitter account—Former First Lady Michelle Obama!
When was the last time you heard a dial-up modem? A dot matrix printer? A CD dropping into its plastic tray? Did you know it would be the last time? We talk to Rick Adams, a British reporter, about the impact of Big Ben being silenced for repairs next year and Madeline Ashby, a futurist, who has some pretty wild ideas of what sounds we’re about to lose... and have already lost but haven’t realized it yet.
There's this place right at the border between Detroit, MI, and Windsor, ON where there's this hum… It rattles dishes, makes people sick, it's even making people move away. And the government does not want you to know what's making it. Explore the mystery of the Windsor Hum with the man who is working to get to the bottom of this strange government secret. Featuring documentarian Adam Makarenko.
Primitive, yet iconic, 8-bit audio defined a generation through video game sounds and music. Discover the history and innovation behind those audio marvels that still fascinate today. Featuring Microsoft Sound Designer, Zachary Quarles, and David Murray, The 8-Bit Guy.
NBC’s three little chimes didn’t just define a television network, they defined a generation. Where did they come from and what is the surprising impact they have had on current and future media? Featuring the last person to play the NBC chimes on the NBC radio network, broadcaster Rick Greenhut, and radio historian, John Schneider.
When Siri launched in 2011, she permanently changed the way people interacted with their technology. What was it like to be the voice behind that voice? And how did they make that voice come to life? Featuring the original voice of Siri, voice actor Susan Bennett, and Director of Speech to Text Technology for Nuance, Dr. Andrew Breen.
You may not think about the sounds you hear every day… but somebody has. The voice in your phone… the effects in your video games… that drum machine in your favorite song. There are people – and stories – behind every one of them. Join your host, Dallas Taylor, on an exploration of the stories behind the world's most recognizable and interesting sounds.